Making The Mosaic – A column that dips into the disparate, diverse palette of our communities to paint inclusively on the vast canvas of the Bay Area by utilizing Heritage Arts.
Coined by the late Congressman John Lewis, the concept of “Good Trouble” is rooted in the belief that certain types of expression and feather-ruffling are necessary to fight back against injustice. At Mosaic, we believe that art is a perfect vehicle for causing Good Trouble and bringing awareness to the important issues we must tackle as an ever-evolving nation.
To celebrate this idea, we recently hosted four of our dear artists and friends who are committed to creating their own kinds of Good Trouble through their art, music, dance, and poetry, in “Celebrating Good Trouble”
- LaToya Fernandez, an educator, poet, and youth advocate from San Jose
- Lisa Rosenberg, an author and former Poet Laureate of San Mateo County
- Urmila Vudali, a high school student, dancer, and leader of the Mosaic Saratoga High School Club, and
- Ray Furuta, a flutist, composer, and music professor
While each artist’s work carries a thread of Good Trouble and cross-cultural collaboration, they also each lent a unique perspective.
LaToya’s reading of her poem “Angry Black Woman, A Letter to Women,” which delves into the stereotypes that are put on Black women for being vocal, sparked a reverence for how that can penetrate one’s psyche. Her art, she says, is grounded in the pursuit of doing what’s right — even if it’s not easy, because it’s what’s necessary. “I’m always in trouble,” she laughed, reflecting Lewis’s sentiment that the quest for freedom is not a state of being, but the “continuous action we all must take.”
And as a reminder of how art is a necessary critique of the systems that reinforce societal ills on marginalized communities, Lisa shared some of her works, including poems titled “Space To” and “Perseverance.”
“All art is considered criticism or an act of political power, just because you are claiming your voice,” Lisa said. “Even creating a disturbance with a new voice, a new observation, a new point of view, we are disrupting the status quo and creating an opening to start perceiving things differently. And that includes our opportunity to take back some power.”
This is perhaps one of the most critical aspects of creating Good Trouble in the arts — using your voice and creativity to create something utterly different and challenge the status quo. And when it comes to breaking the mold, Ray Furuta’s journey from the conservatory to becoming an innovator of music here in Silicon Valley provides a perfect representation.
Ray, who also founded the Silicon Valley Music Festival 10 years ago, shared two of his works — Precious Scars, presented by Mosaic, which created a powerful, cross-medium remembrance of the Japanese Americans and Japanese immigrants who were incarcerated during WWII; and Primal Reboot, which brought together artists of different backgrounds and genres to reimagine Igor Stravinsky’s Rite of Spring.
These two works stood as a testament to how Ray said he viewed the concept of Good Trouble in the arts: “It alludes to this idea of coexistence — that in the arts, we can all exist, and we can all amplify each other in a really positive way.”
The concept of working together to amplify the voices of all is critically important to our mission of creating a sense of belonging within our communities and in our country. And naturally, that played out in introducing dancer Urmila Vudali, who also participated in Primal Reboot. Now, as a high school senior, Urmila aims to bring together students who are culturally isolated and develop greater cultural awareness across their real and imagined silos. Two of Urmila’s collaborations, Confluencia and The Flower Seller, both focused on the commonalities between various forms of dance and music.
“Finding those commonalities allowed me to learn a little bit about a culture that I wouldn’t have had the opportunity to learn about otherwise,” said Urmila. “And pushing the boundaries of my traditional dance and causing that Good Trouble really allowed me to widen my horizons.”
Each of these works and perspectives allows us a greater look into how artists view their own role as Good Trouble-makers, and how we can learn and grow together by simply being curious.
How are you making your own version of Good Trouble?